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DTSTART;TZID=America/New_York:20251120T183000
DTEND;TZID=America/New_York:20251120T193000
DTSTAMP:20250923T160454Z
CREATED:20250923T160454Z
LAST-MODIFIED:20250923T160454Z
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SUMMARY:Drinkers & Thinkers
DESCRIPTION:Drinkers & Thinkers | Thur. Nov 20\, 2025 | 6:30 – 7:30 pm ET | In-person\n*This is the new date from the postponed September date.  \nClick HERE for Tickets \nJoin us for a lively evening discussing cocktails and Cinders: Burned\, Scorched\, and Pyrographed Works in Wood\, the current exhibition on view in the Fleur & Charles Bresler Research Library. Drinkers & Thinkers pairs mixologists with artists\, designers\, makers\, and thinkers in conversations that satiate the palate and the mind. \nFor the first of this new series\, the Museum for Art in Wood welcomes mixologist Jackie Nevin\, artist Miriam Carpenter\, and Assistant Curator Amrut Mishra\, in a conversation about cinders and smoke\, creativity\, and the relevance of craft in a creatively satisfying life. \nSpace is limited\, and special custom glass is included with the ticket cost. Reserve your spot today. \n*Must be 21 to attend. \n			\n				\n				\n				\n				\n				About Jackie Nevin \nJackie Nevin is a multidisciplinary creative professional\, based in Philadelphia\, with a background in both arts administration and the food & beverage industry. She was the beverage director and bar manager for Art in the Age; craft cocktail bar\, where she developed a seasonally rotating menu of experimental cocktails. She also does freelance food\, beverage and prop styling for print and digital-media marketing campaigns. Jackie grew up helping out in her family’s art gallery where she learned about printmaking and art framing. She attended Savannah College of Art and Design for Art History and Arts Administration. In her spare time she enjoys learning new art skills and dabbles in mediums such as woodworking\, etching and ceramics. Jackie currently coordinates the planning and production of exhibitions at the Craft Coven Gallery\, where you can also find her mixing up cocktails for First Friday events. \n			\n				\n				\n				\n				\n				About Miriam Carpenter \nMiriam Carpenter is a contemporary artist based in Bucks County\, Pennsylvania whose work includes wood sculpture\, furniture\, ceramics and works on paper. As a Rhode Island School of Design alumna\, she began her career as a furniture designer at George Nakashima’s studio. Through new processes\, her work explores things often overlooked—unveiling the hidden complexities around us. Carpenter’s work can be found internationally in both private and public collections including the Michener Art Museum (PA) and the Museum for Art in Wood (PA)\, among others\, and has been exhibited most notably at the Philadelphia Museum of Art\, Fuller Craft Museum\, Wharton Esherick Museum\, Museum for Art in Wood\, Philadelphia International Airport\, SOFA Chicago\, Design Miami/Paris and Moderne Gallery where she is currently represented. In 2021\, she had her fourth major solo exhibition with her first museum solo show at the Michener Art Museum. In 2025\, she was nominated for Cooper Hewitt\, Smithsonian Design Museum’s National Design Awards\, an official project of the White House Millennium Council which honors innovation and impact in design. She has been awarded six international residencies in the arts and is an active participant in artist collaborations around the globe. \n			\n				\n				\n				\n				\n				About Amrut Mishra \nAs the Assistant Curator for the Museum for Art in Wood\, Amrut coordinates the planning and production of exhibitions\, including exhibition design\, display\, and layout; production of signage; and organization of publications and ancillary program projects.  \nBefore joining the Museum for Art in Wood\, Amrut held positions at the Ackland Art Museum and Carolina Performing Arts while finishing his doctoral studies. From this research\, he hopes to pursue accessible exhibition design guided by the teachings of Black and transnational feminist practitioners. \n  \n			\n				\n				\n				\n				\n				The Museum for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org.
URL:https://new.museumforartinwood.org/event/drinkers-thinkers-2/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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DTSTART;TZID=America/New_York:20260204T183000
DTEND;TZID=America/New_York:20260204T193000
DTSTAMP:20260120T180041Z
CREATED:20251229T212345Z
LAST-MODIFIED:20260120T180041Z
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SUMMARY:A Usable Past Virtual Artist Talk
DESCRIPTION:A Usable Past Virtual Artist Talk | Wed\, Feb 4\, 2026 | 6:30 – 7:30 pm | Zoom\nClick HERE to RSVP \nJoin us for a virtual gallery talk for A Usable Past: Reflections on a Nation and Its Inheritance. The exhibition brings together sculpture by twelve artists who reckon with America’s layered histories. From family lineages and ancestral myths to rooted or shifting values\, the ideas that drive these works probe how the nation’s past continues to shape these artists and their experience of the present. Drawing from the metaphorical power inherent in the material of wood\, these artists translate inheritance into form\, giving “shape and substance to national identity.” \nArtists who will be joining us for the virtual discussion:Vivian Chiu\, Damien Davis\, Michael De Forest\, Aspen Golann\, Terry Holzgreen\, Gina Siepel\, and Kimberly Winkle; moderated by exhibition curator Jennifer-Navva Milliken \nExhibition Artists:Vivian Chiu\, Damien Davis\, Michael De Forest\, Raul De Lara\, Aspen Golann\, Terry Holzgreen\, James Maurelle\, Jordan Nassar\, Ato Ribeiro\, Gina Siepel\, David J. Wilson\, Kimberly Winkle \nThis event is free to the public. The Museum for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications at katie@museumforartinwood.org. \nA Usable Past is generously supported by the Cambium Giving Society of the Museum for Art in Wood\, The Andy Warhol Foundation for the Visual Arts\, The Bresler Foundation\, Pennsylvania Council on the Arts\, Philadelphia Cultural Fund\, and Windgate Foundation.
URL:https://new.museumforartinwood.org/event/a-usable-past-virtual-artist-talk/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Exhibitions,Gallery Talks
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DTSTART;TZID=America/New_York:20260313T183000
DTEND;TZID=America/New_York:20260313T193000
DTSTAMP:20260112T191941Z
CREATED:20260112T191901Z
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SUMMARY:Gallery Talk with Winter Residency Fellow Lin Elkins
DESCRIPTION:Gallery Talk with Winter Residency Fellow Lin Elkins | NextFab\, 1800 North American Street | Fri. March 13\, 2025 | 6:30 pm EST | In-person event\nClick HERE to RSVP \nJoin us for a gallery talk with the 2026 Winter Residency Fellow Lin Elkins. The residency is designed for artists in Greater Philadelphia who work in the medium of wood and is a collaboration between the Museum for Art in Wood and NextFab. An exhibition of the work created over the two-month-long program will be presented at NextFab. \nABOUT LIN ELKINS \nLin is an artist\, furniture maker\, and craftswoman based in Philadelphia\, PA. Lin holds a BS in Furniture Design from Appalachian State University. Post graduate\, Lin has been a Fellow at UNC Asheville\, a craft education intern at North House Folk School\, the Staff Fellow and Media Coordinator at the Center for Furniture Craftsmanship. She also has assisted and led education courses at a variety of institutions\, including Penland School of Craft and Haystack Mountain School of Crafts. \nShe is driven by the dichotomy between the natural and the built environment and how that tension affects the spiritual and physical connection we have to ourselves and the world around us. She explores this through purposeful functionality\, playfulness\, and art\, creating opportunities for moments of comfort\, wonder\, and curiosity. \nABOUT NEXTFAB \n\nNextFab is a network of membership-based makerspaces that provide access to tools\, technology\, education\, events\, and services for makers and creatives. They offer a variety of education and startup programs\, as well as professional design\, production\, and placemaking services for whatever your fabrication needs. \nABOUT THE MUSEUM FOR ART IN WOOD \nThe Museum for Art in Wood is a museum of contemporary art\, craft\, and design in the material of wood. The Museum presents the work of emerging and established artists from the United States and abroad and offers thought-provoking exhibitions\, a permanent collection of over 1\,300 objects and works of art\, publications and documentation\, events and workshops\, and a library with over 26\,000 artist files\, books\, and documents that span the history of craft. The Museum also brings artists and researchers from around the world to Philadelphia every year to attend its unique Windgate Artist Residency Program. \nIf you have questions\, please contact Katie Sorenson\, Director of Outreach and Communications at katie@museumforartinwood.org.
URL:https://new.museumforartinwood.org/event/gallery-talk-with-winter-residency-fellow-lin-elkins/
LOCATION:NextFab\, 1800 N. American St\, Philadelphia\, PA\, 19122\, United States
CATEGORIES:Gallery Talks
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DTSTART;TZID=America/New_York:20260319T180000
DTEND;TZID=America/New_York:20260319T200000
DTSTAMP:20260102T202909Z
CREATED:20260102T202909Z
LAST-MODIFIED:20260102T202909Z
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SUMMARY:The Art and Furniture of Tommy Simpson Book Signing with Author Oscar P. Fitzgerald
DESCRIPTION:The Art and Furniture of Tommy Simpson Book Signing with Author Oscar P. Fitzgerald | Thur. March 19\, 2026 | 6:30 – 7:30 pm ET | In-person\nClick HERE to RSVP \nJoin us for a special evening celebrating the release of the first-ever comprehensive catalogue of the work of Tommy Simpson with author Oscar P. Fitzgerald. During the event\, Fitzgerald will present his experience with artist Tommy Simpson while preparing the publication. \nCopies of the book will be available for purchase at the event\, along with plenty of opportunities for conversation. \nAbout Oscar P. Fitzgerald \n Dr. Fitgerald has lectured worldwide including presentations to appraisers\, collectors\, museums\, and even several Atlantic Ocean crossings on Queen Elizabeth II. His books include American Furniture: 1650 to the Present (600 pages\, 800 illustrations)\, the standard text book in the field; the catalogue of studio furniture in the Smithsonian’s Renwick collection; and American Furniture Designers: 1900-2020\, published by Rowman Littlefield in 2022. His latest book\, The Art and Furniture of Tommy Simpson was published by Bloomsbury in January. He served an Adjunct Professor of American furniture at the Smithsonian Institution/George Washington University Master’s Program in the History of Decorative Arts and Design. \n\n\nThis event is free to the public. The Museum for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org.
URL:https://new.museumforartinwood.org/event/the-art-and-furniture-of-tommy-simpson-book-signing-with-author-oscar-p-fitzgerald/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Exhibitions,Gallery Talks
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DTSTART;TZID=America/New_York:20260404T110000
DTEND;TZID=America/New_York:20260404T120000
DTSTAMP:20260312T215144Z
CREATED:20260312T215144Z
LAST-MODIFIED:20260312T215144Z
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SUMMARY:Gallery Talk with BA Harrington and Viola Bordon
DESCRIPTION:Gallery Talk with BA Harrington and Viola Bordon | Sat. April 4\, 2026 | 11:00 am – 12:00 pm ET | In-person\nClick HERE to RSVP \nJoin us for a gallery talk with artists BA Harrington and Viola Bordon. These two exhibitions\, Viola Bordon: Muliebrity and BA Harington: Suite Américaine\, are a part of Radical Americana\, a series of exhibitions organized by The Clay Studio and a consortium of Philadelphia’s extensive collection of arts and cultural institutions that celebrate how today’s artists are continuing the city’s unique and rich legacy as a center for creativity and civic engagement. To learn more about the other participating artists and organizations\, please click HERE. \nAbout the Artist:\nSince 2012\, BA Harrington has been a Professor of Woodworking in the Department of Art and Design and Director of the Wood Center at Indiana University of Pennsylvania. She continues to write essays\, speak at conferences\, and build sculptural work in reference to early American furniture forms. She has held Windgate Artist Residencies at San Diego State University and SUNY Purchase and was a recipient of the Center for Craft’s inaugural Craft Research Fund Artist Fellowship. Each year this substantial mid-career grant is awarded to two artists who are revising\, reclaiming\, and advancing the history of craft through their work. Harrington graduated from the Cabinet & Furnituremaking program at the North Bennet Street School in Boston. She also holds an M.F.A. in Wood and an M.A. In Art History from the University of Wisconsin-Madison. \n  \n  \n  \nAbout the Artist:\nViola Bordon is an artist and educator based in Philadelphia whose work examines transformation across material\, ecological\, and social systems. Her quilting is an act that binds histories of labor\, belief\, and resistance. Working through inherited methods of reuse and repair\, she frames systems of power that shape both personal and collective experience. Her quilts negotiate structures that hold tension between faith and skepticism\, memory and material. Quiet repetitive labor forming articulated dissent\, allowing form itself to think through what endurance makes visible. Her practice also includes environmental installations\, drawing on methods of reuse\, endurance\, and collaboration. Her projects have been supported by the Fulbright Commission\, Lilly Endowment\, Sachs Program for Arts Innovation\, US Fish and Wildlife Service\, and Salt Planes State Park. Bordon’s teaching and research emphasize tactile knowledge and the quiet radicality of sustained attention to material and processes. \nSuite Américaine and Muliebrity are generously supported by the Cambium Giving Society of the Museum for Art in Wood\, Radical Americana\, The Andy Warhol Foundation for the Visual Arts\, The Bresler Foundation\, Pennsylvania Council on the Arts\, Philadelphia Cultural Fund\, the William Penn Foundation\, and Windgate Foundation. \nThis event is free to the public. The Museum for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org. \n 
URL:https://new.museumforartinwood.org/event/gallery-talk-with-ba-harrington-and-viola-bordon/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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DTSTART;TZID=America/New_York:20260528T180000
DTEND;TZID=America/New_York:20260528T190000
DTSTAMP:20260520T214610Z
CREATED:20260508T213317Z
LAST-MODIFIED:20260520T214610Z
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SUMMARY:Gallery Talk with Dan Gunn at Pentimenti
DESCRIPTION:Gallery Talk with Dan Gunn at Pentimenti | Thurs. May 28\, 2026 | 6:00 – 7:00 pm ET | Pentimenti\, 145 N 2nd Street | In-person\nRSVP \nPlease join us for a special Gallery Talk at Pentimenti. The discussion will focus on the current exhibition\, Dan Gunn: American Interior\, between the artist and Jennifer-Navva Milliken\, Executive Director and Chief Curator of the Museum for Art in Wood. \nAmerican Interior marks Dan Gunn’s first solo exhibition at Pentimenti and features intricately carved wooden “tapestries” that invite viewers to look beyond the surface. Gunn meticulously hand-cuts\, carves\, dyes\, and paints plywood segments\, which he sews together with nylon cord to evoke the appearance of hanging fabric. \nThis in-depth conversation\, held at Pentimenti Gallery\, offers an intimate look into Gunn’s creative process. Attendees will gain insight into the ideas\, themes\, and craftsmanship behind his work. \nWe hope you will join us for this special discussion on May 28th\, 6 – 7:00 PM. \nGallery Talk – Pentimenti\, 145 N 2nd Street\, Philadelphia \nAbout Dan Gunn \nDan Gunn is an artist\, writer\, and educator based in Connecticut. He received his MFA in Painting from the School of the Art Institute of Chicago in 2007\, where he is currently an Adjunct Assistant Professor teaching remotely. His work engages ideas of material transformation\, regional identity\, and the aesthetics of craft traditions. \nHis work is held in the collections of the Mayo Clinic (Minneapolis)\, KMAC Contemporary (Louisville)\, TD Bank (New York)\, DePaul University School of Music\, Fidelity Investments (Chicago)\, the Joyce Foundation (Chicago)\, and the Marciano Art Foundation (Los Angeles)\, among others. \n  \nAbout Jennifer-Navva Milliken \nJennifer-Navva Milliken is the Executive Director and Chief Curator of the Museum for Art in Wood. In her role\, Milliken provides strategic leadership across all areas of the institution’s mission. She is responsible for guiding the Museum’s growth\, advancing its relevance within the global arts and culture landscape\, and overseeing operations\, development\, community partnerships\, and board engagement. Under her leadership\, the Museum has expanded its reach and impact through groundbreaking exhibitions\, public programs\, and publications that champion contemporary wood art and material culture. \n  \nQuestions? Please contact Katie Sorenson at katie@museumforartinwood.org \n 
URL:https://new.museumforartinwood.org/event/gallery-talk-with-dan-gunn-at-pentimenti/
LOCATION:Pentimenti\, 145 N 2nd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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DTSTART;TZID=America/New_York:20260724T183000
DTEND;TZID=America/New_York:20260724T193000
DTSTAMP:20260613T174815Z
CREATED:20260613T174815Z
LAST-MODIFIED:20260613T174815Z
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SUMMARY:Furniture\, History and Feminism: a Suite Américaine Panel Discussion
DESCRIPTION:Furniture\, History and Feminism: a Suite Américaine Panel Discussion | Fri. July 24\, 2026 | 6:30 – 7:30 pm ET | In-person\nClick HERE to RSVP \nJoin us for a panel discussion exploring the history of American furniture making through objects created for women from the late seventeenth to the early nineteenth century. Using furniture as a lens to examine gender\, labor\, and artistic expression\, the conversation will consider how domestic objects reflected and shaped women’s roles in early America. \nThe discussion centers on three furniture forms that inspired the exhibition BA Harrington: Suite Américanine: dower chests\, writing desks\, and sewing tables. Each of these objects occupied a distinct place in a woman’s life. Dower chests safeguarded textiles\, clothing\, and household goods that accompanied a woman into marriage; writing desks provided a space for correspondence\, record-keeping\, and intellectual engagement; and sewing tables supported the textile work expected of women and often served as a measure of domestic skill and accomplishment. Together\, these forms reveal the complex ways furniture functioned not only as utilitarian objects but also as markers of identity\, status\, education\, and gender expectations. \nPanelists will examine the cultural significance and craftsmanship of these furnishings\, considering the woodworkers who designed and built them\, the social customs that informed their use\, and the women whose daily lives were intertwined with them. The conversation will also explore the paradox embedded within these objects: although they were frequently commissioned\, designed\, and constructed by men\, they were created to organize\, contain\, and sometimes conceal the labor\, creativity\, and personal worlds of women. \nThrough a feminist lens\, the panel will connect these historical forms to BA Harrington’s contemporary practice. Historically designed and built by men\, these furnishings often concealed women’s labor and creativity. In Suite Américanine\, Harrington transforms them into structures that reveal rather than hide textile work\, bringing women’s craftsmanship to the forefront and inviting viewers to reconsider whose labor and stories have been valued. \nBringing together perspectives from history\, material culture\, and contemporary practice\, this conversation offers an opportunity to reflect on the enduring relationship between furniture\, gender\, and creative expression across centuries of American history. \n  \nPanelists: \nJustina Barrett\nJustina Barrett serves as the Chief Learning and Engagement Officer at the Historical Society of Pennsylvania\, one of the nation’s largest archives of historical documents\, founded in 1824. In this role\, she oversees all public programming\, K-12 educational activities\, and external engagement efforts\, including communications and partnerships. She works to showcase and make accessible HSP’s collection of over 23 million manuscripts\, books\, and graphic images. She brings to her role over two decades of museum education experience in art museums and historic houses. Justina earned a bachelor’s degree in history with teaching certification from Bryn Mawr College and a master’s degree in early American material culture from the Winterthur Program at the University of Delaware. \nBA Harrington\nSince 2012\, Harrington has been a Professor of Woodworking in the Department of Art and Design\, and Director of the Wood Center at Indiana University of Pennsylvania. She continues to write essays\, speak at conferences\, and build sculptural work in reference to early American furniture forms. She has held Windgate Artist Residencies at San Diego State University and SUNY Purchase and was a recipient of the Center for Craft’s inaugural Craft Research Fund Artist Fellowship. Each year this substantial mid-career grant is awarded to two artists who are revising\, reclaiming\, and advancing the history of craft through their work. Harrington graduated from the Cabinet & Furnituremaking program at the North Bennet Street School in Boston. She also holds an M.F.A. in Wood and an M.A. In Art History from the University of Wisconsin-Madison. \nChristopher Storb\nChristopher Storb is a furniture conservator\, woodworking historian\, and instructor of joinery\, woodturning\, and woodcarving. His expertise is in the history of woodworking technologies\, processes\, and materials. \nThis event is free to the public. The Museum for Art in Wood interprets\, nurtures\, and champions creative engagement and expansion of art\, craft\, and design in wood to enhance the public’s understanding and appreciation of it. A suggested donation of $5 per person enables us to provide programs and exhibitions throughout the year. \nDONATE \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications at katie@museumforartinwood.org. \n 
URL:https://new.museumforartinwood.org/event/furniture-history-and-feminism-a-suite-americaine-panel-discussion/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Gallery Talks
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260807T173000
DTEND;TZID=America/New_York:20260807T200000
DTSTAMP:20260413T155000Z
CREATED:20260413T155000Z
LAST-MODIFIED:20260413T155000Z
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SUMMARY:First Friday Opening for The Windgate Arts Residency Program in Wood 2026
DESCRIPTION:First Friday Opening for The Windgate Arts Residency Program in Wood 2026 | Fri\, August 7\, 2026 | 5:30 – 8:00 pm | In-person Event\nWalk-in’s Welcome \nThe Museum’s annual summer exhibition represents the culmination of the Windgate Wood Arts Residency Program (WARP-Wood)\, a two-month arts residency program. In this exhibition\, the international group of artists presents work created during the residency\, which emphasizes research\, exploration\, and the opportunity to work in a collaborative environment. Now in its twenty-eighth year\, this renowned residency offers artists specializing in the material of wood the opportunity to test their vision and skill\, while developing connections with colleagues\, collectors\, and the city of Philadelphia. \nThis year’s fellows\, listed below\, will bring immersive and installation sculpture\, furniture and woodworking\, sculpture\, and research to the Museum’s exhibition space. \n2026 Windgate Resident Fellows:\n\nArtists \nAdam Atkinson | Austin\, Texas\, US \nJoyce Lin | Bellaire\, Texas\, US \nMark Tan | Tempe\, Arizona\, US \nNiv Tishbi | Tel Aviv\, Israel \nArtist and Documentation \nAnders Nienstaedt |  Northfield\, Minnesota\, US \nStudent Artist \nLiza Stout | Phoenix\, Arizona\, US \nScholar \nDaniel Fountain\,  PhD | Exeter\, United Kingdom \n  \n\nMeet the 2026 WARP Wood Fellows! Join us for the WARP Wood Open Studio Day\, in memory of Lee Bender\, on July 11\, 2026\, at NextFab North. To RSVP\, click HERE. \n  \nOpening reception with the Windgate Resident Fellows | Aug 7\, 5:30-8 PM | Gallery talk\, 6-7 PM \n  \nThis year’s Windgate Arts Residency Program in Wood and Exhibition is generously supported by the Cambium Circle Members of the Museum for Art in Wood\, donors to the Windgate Arts Residency Program in Wood appeal\, the Phil F. Brown Fund\, Bresler Foundation\, Pennsylvania Council on the Arts\, Philadelphia Cultural Fund\, the Klorfine Foundation\, and Windgate Foundation. The Museum received in-kind support from Boomerang\, Inc. Special thanks to the WARP Wood committee\, the organizing committee of the Echo Lake Collaborative Conference\, the Organic Recycling Center in the Philadelphia Parks & Recreation\, and Debbra Soffer in memory of Michael Soffer. \n  \nQuestions? Please contact Katie Sorenson\, Director of Outreach and Communications\, at katie@museumforartinwood.org.
URL:https://new.museumforartinwood.org/event/first-friday-opening-for-the-windgate-arts-residency-program-in-wood-2026-2/
LOCATION:Museum for Art in Wood\, 141 N 3rd Street\, Philadelphia\, PA\, 19106\, United States
CATEGORIES:Exhibitions,Gallery Talks,Opening Receptions
ATTACH;FMTTYPE=image/jpeg:https://new.museumforartinwood.org/wp-content/uploads/2025/03/Hudnall_7.jpg
ORGANIZER;CN="Museum for Art in Wood":MAILTO:info@museumforartinwood.org
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